Artistic Formation
1978-85 Classical, Spanish and Modern Dance - Posadas (Misiones). 
Teacher: Marisil Cecarini.
1985-91 "Guaynamérica Danza" School. Graduated in Contemporary
American Dance. 
1986 Exchange Student. Asunción Paraguay. Modern Technique.
1987 Exchange Student. Santamaría, Brasil. Jazz. (one month). Elaine
Sangoi
1989 Exchange Student. Santamaría Brasil. Afro-Brazilian. Elaine Sangoi.
1991 Graham Technique Seminar. State University of Curitiba. Curitiba, Brasil.
Teacher: Pacheco. (6 months).
1992/94 American Dance, Jazz, Afro, Modern and Classical. Armar School
Dance-Theater .
Directed by Silvana Cardell and Silvia Prix. Humphrey Technique, Cunningham,
Contact Improvisation, 
Graham Technique, Classical, Vertical Technique, Choreographic Composition,
Repertoire, Dance History.
1993/94 Modern and Classical Technique Classes. Cubalet. Buenos Aires, 
Argentina.
1995/96 "E.N.A." National School of Arts. Graduated as Modern Dance 
Performer and Teacher, Havana, Cuba. Grade: 84.20.
1995/96 Afro Yoruba Classes. Teacher Julián Villa from the National 
Folkloric Ballet of Cuba. Havana, Cuba.
1996 Modern technique. Teacher: Narcizo Medina. First Dancer of Cuba 
National Ballet. Contemporary Technique. Teacher: Saya Waltz. Havana, Cuba.
1997 Cuban Modern Technique and Capoeira. Santiago Terbalca.
1998/99/00 Capoeira Training and Modern Dance. Santiago Terbalca 
and Gabriela Moyano.
1997/01 Choreographic Composition. Susana Tambutti.
2000 Improvisation Seminar with J. Hamilton
2001 Yoga with Silvia Lezcano and Physical Preparation with Reverso Group.
2002/03 Scholarship granted by the National Institute for Theater to 
study Art History under Susana Tambutti.
Dramaturgy with Kartún, granted by the National Institute for Theater
2004 Dance History and Choreographic Composition with con Susana Tambutti.
 
Works
1992/93 Choreographer and Dancer, Quimbara group. Argentine Coast Tour.
1992/94 Performances with Armar Danza-Teatro School. Recoleta Cultural Center, 
Ricardo Rojas Cultural Center.
1993/94 Performances with Cubalet. San Martín Cultural Center, La Plaza 
Complex.
1994 Bronze medalist at the Third International Ballet and Dance Contest at 
Buenos Aires. San Martin Theater.
1994/97 Solo dancer on the Afro-contemporary company directed by Telma 
Meireies.
1995/96 Humphry and Cunningham Techniques teacher at Havana's National 
School  of Arts, Havana, Cuba.
1995 Teacher at the Seminar on Contemporary Techniques for dance students 
and teachers from Havana. Havana Cuba.
1996 Colombian tour with the Cuban popular music band "Los Sauces".
Founds REVERSO Group.
Premieres "Uncertain Be-coming". Covarrubia Hall, Havana National Theater. 
Havana, Cuba.
Authors choreographies of "Uncertain Be-coming". REVERSO Group. 
Café-Cantante. Havana, Cuba.
Presents the choreography "I between you and me". Holguín Dance School. 
Holguín, Cuba.
1997 Founds REVERSO Group in Argentina
1997 Performance of REVERSO Group at "Buenos Aires Does Not Sleep"
with the choreography "I between you and me".
1997/99 Teaches Cuban popular rhythms at Posadas, Misiones and 
Buenos Aires.
Teaches Cuban Modern Technique to the members of REVERSO Group.
1998 Choreographer and Dancer, Quimbara group. Miramar, Buenos Aires, 
Argentina.
Premieres "Frigate Heroine". Posadas, Misiones
Creation Award, National Endowment for the Arts for "Frigate Heroine".
Buenos Aires Premiere of "Frigate Heroine". Cemento, Buenos Aires
"Buenos Aires Does Not Sleep", the REVERSO Group presents "Frigate 
Heroine"Japan - Argentina Meeting, San Martín Cultural Center with
"Frigate Heroine".
1999 Choreorgraphy for a piece by Cultrun Orchestra. REVERSO Group, 
duet Dasain. Cultrun Auditorium, Recoleta Cultural Center.
Performance of REVERSO Group with duet Dasain. Choreorgraphy for the 
electroacousticpiece by Cultrun Orchestra directed by Rolando Manes. 
Muiño Hall, San Martín Cultural Center.
Performance of the Opera "As Regards Camila" by Cultrun Group. 
Golden Hall, Colón Theater.
Performance of a fragment from "Frigate Heroine" at the SADE 
[Argentine Society of Writers].
2000 Revival of "Frigate Heroine". Recoleta Cultural Center, Tank Hall.
Performance of Dasain duet. Alberdi Hall, San Martín Cultural Center.
Argentine Contemporary Dance Festival, held by Co.Co.a and San Martín
Theater. Subsidy por the revival of "Frigate Heroine".
2000 Performance of a fragment from "As Regards Camila..." Recoleta 
Cultural Center, Chapel. Cultrun.
November 2000: Performance of Unitango, Cultrun Group. Tortoni Café, 
2001 "Frigate Heroine", Parque Sarmiento, Buenos Aires Summer 
(Buenos Aires Town Hall).
Opening of the REVERSO Group Action Space. Live Performance and
Musical Group from REVERSO. 
Teaches Cuban Modern Technique at Costa Rica Square. "Open Studio" 
Event. (Buenos Aires Town Hall).
Performance of the solo "Lá, de las mariposas", en el Galpón Galperín. 
"Open Studio" Event. (Buenos Aires Town Hall).
Director and Choreographer for Amerisalsa Group, created by Alberto Bonne.
Co-director of Urban Cultural Space.
Member of the Board of Cocoa - Datei (Argentine Choreographer Association).
Secretary of "CoCoA Project". Workshop and Seminar Project with teachers 
from both Argentina and abroad.
Artistic Director for the "One Bridge, Two Cultures" Italian-Argentine Festival,
held both in Argentina and Italy.
In December she presents "Frigate Heroine" at the Festival of Young 
Choreographers at San José de Costa Rica, and gives a seminar on Cuban 
Modern Technique for Dancers from the National Company of Costa Rica.
On December 15 she travels to Mexico with her company where they hold 
a series of exchanges with professional groups from that country.
2002/03 Receives a subsidy from Prodanza and National Institute for the 
Theater on behalf of the multimedia "Century Zero" premiered in December 
2002, on the Second Buenos Aires Contemporary Dance Festival, at 
Sarmiento Theater, with high praise from La Nación and Clarín, Buenos
 Aires' major papers.
"Century Zero" featured in a documentary on Argentina's political situation, 
filmed in August 2002 by London BBC.
"Century Zero" is awarded the Prize for Quality granted by the National 
Institute for the Theater.
2004 "Century Zero" is performed at Contemporary Hall, Recoleta Cultural 
Center in both April and May, with high praise from La Nación and Clarín,
Buenos Aires' major papers.
Prodanza and National Institute for the Theater granted her two new 
subsidies to creation on behalf of her new play to be premiered by 
the end of the year.
On the first term of the current year, she taught Modern Cuban Technique

at IUNA for the III Buenos Aires Contemporary Dance Festival , 17 ,18 of

December, at the Presidente Alvear Theatre.

2006 Premieres karo vertical in cooperation whith Centro Cultural de la

Cooperación at the sala Solidaridad for a season of six months.